Galina Kuznetsova

In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and mixes them up into a sweet and animated alphabet that oozes energy, enthusiasm and honest innocence.

Alongside the chromatic and colour-play possibilities that come with two layerable fonts, the jumpy, rough and curly elements that make up Schneeberger’s construct make this face a unique and essential tool for display and packaging aimed at catching the eyes of kids and teens. Use it for fantasy flicks, sugar-fix wrapping, and the elaborate backyard birthday party invite where the program is just as appealing for the adults as it is for the children.

P22 Schneeberger comes in solid (Black) and outline (Regular) variants, each of which containing more than 400 characters, some very cool built-in stylistic alternates, a bunch of ligatures, and support for the majority of Latin languages.

A modern Sans Serif — prosaic, designed geometrically, beautiful in large sizes

All the dimensions of the font are based on Factor 10. The general principle of construction leads to slim forms and nearly equally wide characters. So the font appears very solid but is actually difficult to decipher in longer texts.

Along with the ”normal“ Guhly Regular there are also the two versions Guhly Light and Guhly Bold, whereas in each only the vertical strokes [Guhly Light] or horizontal [Guhly Bold] have been changed in strength. The result is a very individual decorative effect which slightly reflects old circus and western scripts.

The lower case characters in the version Guhly Book are, therefore, optimized to be suitable for longer texts in smaller font sizes — because after all, sometimes you should read a bit more than just the headline…

The design of a shampoo bottle stands behind the creation of this sans serif display font. Prominent, clearly constructed forms with circular arcs define its appearance. This is a font primarily designed for use with capital letters — for all sorts of advertising purposes, headlines and titles.

But lower case letters also belong to a good functional font; so, of course, Guhly includes them and ligatures for the more ”critical“ letter combinations as well as stylistic alternates for the letters K (or k), V (v) and o.

As a decorative “encore”, the Guhly family also contains the “normal” weight in two variants:

on the one hand the Guhly Cutout – these are letters without counter, as if the letters were cut out and the internal surfaces fell out; and on the other hand the Guhly stencil – as the name suggests, a stencil font with the typical bars that give a stencil the necessary cohesion.

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Monbloc is a typeface inspired by geometry and lines. It intends to be a practical font wich gives the designer the freedom to incorporate it in his wildest designs.

It's blobby, bouncy, and super whimsical. It's my Spring Herbs font!

I had a ton of fun with this font. With varying stroke weights, heights, and sizes, plus FOUR options for every letter, you can create a fun design with hand-lettered flair!

Spring Herbs contains over 600 total glyphs, including more than 300 extended Latin characters for language support, over 30 ligatures, and alternates for A-Z, a-z, and 0-9! It's extensively cleaned to be smooth and sharp for both cutting and printing.

To make things even easier for my MyFonts friends, the alternates are all PUA-encoded for easy access in any program, and are also OpenType coded as Stylistic Alternates, if that's how your software rolls!

Baver Brush is a textured brush font, a contemporary approach to design, naturally handmade. It also has alternatives and ligatures that make your design more attractive. Suitable for use in title design such as clothing, invitations, book tittles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats.

For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Leronda is an awesome font that can look austere and classic or vintage and softer and more pliable thanks to alternatives. They will add charisma, diversity to your project and emphasize your brave decision. 

Also lowercase ligatures are included in this font, use them and it will also show your personality. This font is quite heavy weight and is perfect for creating logos, headlines, advertising, branding, book covers and magazines, and much more. Use it in headings and text to highlight important information.

This font is easy to use and has OpenType features.

At Tupats is inspired by the name of a common food from Indonesia during Eid: ketupatfood. This font is in the Arabic style but for writing latin characters and words.

The ligatures, stylistic sets, and contextual features of this font will make your writing similar to Arabic calligraphy.

It is very suitable for writing in a Middle Eastern style and for use in restaurants, magazines, souvenirs, web, and many Ramadhan-themed projects.

Originally created in 2014 but redesigned and improved in 2020, Remah Pro is an eclectic and versatile sans serif font family consisting of 5 weights, from extra light to extra bold with its respective condensed. When looking for something different, Remah Pro is certainly the best choice: the wavy shapes that defines it are intertwined with clean cuts and sharp edges, making it suitable for typographic experimentation and ideal for display work, logo design, posters and billboards.

Mallorist is a handwritten font with a modern calligraphy style. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logotypes, letters, posters, apparel designs, labels, and etc. Mallorist comes with uppercase, lowercase, numerals, punctuation & multilingual support characters.

A professional quality grotesque from light to black.

— Variable Font —