Sean’s Other Hand is a hand-drawn font and was created as an alternative to the popular Hand Of Sean font, by the same designer. It has a looser, more natural feel and is best suited to applications where a more organic, hand-written style is needed. Great for annotating sketches, notebooks and wireframes. Great for use on natural product packaging.
That tie you wore in the 1990'ies...the one from the 1980'ies...perhaps even the one from the 1970'ies...could look obnoxious today - or maybe ... it's super fashionable these days! :)
This Obnoxious Tie is a mix of upper- and lowercase ... well, that goes for the "lowercase" - the uppercase is uppercase, just as usual!
Introducing Khodijah, brand new display font in Arabic style. Designed with a digital flat-pen and gothic typography technique which gives the elegant looks of the letters.
This font also adopted from the Hijaiyah letters that highly usable for any Islamic or Mid-east content. Perfect for Book covers, poster, flyer, banner, t-shirt, logo, branding, and other advertising needs. Khodijah has OpenType features such as alternates, swashes, and ligatures that you can access them from the software which has an open-type panel.
Happy designing!
Ramz.
Groteska is a modern & minimal sans-serif typeface inspired from some popular swiss design typefaces, having traditional grotesque oriented type characteristics while being clean & minimalist by nature. The typeface comes with a total of 14 fonts spreading between 7 weights featuring 7 uprights and matching italics for each weights.
Handcrafted and designed with powerful opentype features in mind, each weight includes extended language support including Western & Central European sets.
Groteska is a perfect typeface for graphic design, web, print and any display use. The typeface could be perfect choice for logo / logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design.
BB Manual Mono™ (Pro) visualizes the work of painters: Craftsmanship, precision, professionalism and their tools. The special features of the Font emphasize the work process.
● Flow: visible process
● Alignment: contextual monoline
● Accuracy: individual modularity
● 5 Variants (TX (Text), IT (Italic), ST (Standard), HL (Headline), CR (Cover)
● 40 OT-Features/Style
● 60 Styles
● 100 Stylistic-Sets (20/Variant)
● 122 Languages Support (Latin, Greek, Cyrillic)
● 86,100 Glyphs (1,435/Style)
Agent Sans is an intentional departure. It ignores the cold, unemotional flavor of geometric typefaces and current trends, and instead opts for warmth, personality, movement. In order to stand out, Agent Sans is filled with everything it can—small caps, 6 numeral sets, fractions, super- and subscripts, case-sensitive glyphs, dingbats, expanded language support, and true italics drawn to complement the uprights… not just to skew alongside them.
Agent Sans is economical while maintaining its distinctive, expressive look. Perfect for branding for print and screen, and digital usage, the flexible weights available allow for pinpoint selection at whatever size. Simply put, Agent Sans is meant to be used, and used how you see fit.
Kallinsha is a classy signature typeface. Kallinsha has a natural & modern handwritten style for any purpose, it comes with ligatures and alternates for ending swashes.
Kallinsha is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.